Working with RealProducer 7 Codecs
    What this Document Teaches You
    Requirements for Using this Document

Choosing SureStream or Single Rate Encoding
    What is SureStream?
    Why SureStream won't Work with Web Servers
       Duress Streams
       Multiple Bandwidth Choices Through SMIL
    SureStream File Size

Working with RealAudio Codecs
    Encoding with the RealAudio Standard Defaults
       Choosing SureStream Rates with the Free RealProducer
       Choosing SureStream Rates with RealProducer Plus
       Reducing Streaming Clip Size
    Encoding with the RealAudio Multimedia Defaults
       When to Use the Multimedia Defaults
    Changing RealAudio Defaults
       Changing RealAudio Defaults for Different Bandwidths
       Encoding High Response Music
    Making a Mono Clip from Stereo Input
       Using Mono at Low Speeds, Stereo at High Speeds
    RealAudio Codec Reference
       Voice Codecs
       Mono Music Codecs
       Stereo Music Codecs

Working with the RealVideo Codec
    Encoding Clips with the RealVideo Defaults
    Changing the RealAudio Codecs used with RealVideo
       When to Modify the Audio Bandwidth in RealVideo
    Modifying RealVideo's Frame Rate
       RealVideo SVT
    Changing RealVideo's Target Bit Rate
       Don't Lower RealVideo Speeds for 28.8 Kbps Modems
       Set Audio Bandwidth for a RealVideo Clip Separately
       Keep the LAN Manager Happy
       Encode for Different Target Audiences in Some Cases

Setting RealVideo Advanced Features
    Using RealVideo Filters
       Noise Filters
       Resize Filters
       Inverse-Telecine Filter
       De-interlace Filter
    Setting RealVideo Codec Features
       Loss Protection
       Variable Bit Rate Encoding
       Two-Pass Encoding
    Using RealVideo Advanced Codec Features
       Setting VBR Maximum Start-up Latency
       Specifying Maximum Time Between Keyframes

Viewing Statistics
    Basic Recording Statistics
    General Statistics
    Audio Statistics
    Video Statistics