This chapter describes how to define what the input will be for your encoding job. You will learn what you can use as the source for the input and how to adjust the input video.
The input for a job is a media source that will be encoded into streaming media by Helix Producer. Whatever source you want to use will become the input for the job. The following diagram shows you three different jobs, each with a different type of source for the input.
This section discusses the different types of sources you can use for an input, shows you how to add an input to a job, and shows you how to use video filters to adjust the input's video.
There are two types of media sources that you can use to create streaming media with Helix Producer. You can use either files or an audio/video capture device.
This section is an introduction to these sources that you can use when you set up an encoding job with Helix Producer.
Source files are pre-existing media files that are compatible with Helix Producer and can be encoded into RealMedia. These files are generally created with other media-generating tools.
| To add a file as the input: |
The path and file name of the media file is listed in the Input File field.
A default destination file appears in the Output section using the input file's name with a .rm extension.
You can use a variety of media file as sources for the input. The following lists are based on software you have installed on your computer.
The following file formats can be used as sources on any platform supported by Helix Producer. No other software needs to be installed to use these formats.
The following file formats can be used as sources only on the Windows operating system. At a minimum, you must have DirectX 6 installed. Some formats require that DirectX 8 is installed. For the latest version of DirectX, go to www.microsoft.com or use the link provided at www.realnetworks.com.
Another source that you can use for the input is live audio and/or video. To send audio and video directly to your computer, you will need the following:
| To add an Audio device as the input: |
A menu appears listing available settings dialogs for your audio device.
The Recording Control window opens. In this window you can specify how audio is mixed from different audio sources.
If the volume is too high, the recorded sound may be clipped and appear distorted. If the volume is too low, it will be difficult to hear. Use the audio level meter in the Helix Producer window to monitor the level during encoding.
| To add a Video device as the input: |
A menu appears listing available settings dialogs for your video capture device.
| Note: Every video capture device will have a unique way of modifying how the video is captured. The rest of this procedure will explain a few common settings. Consult your device's manual for more information. |
Once an input is added to a job, Helix Producer gives you a variety of filters to improve the quality of video that comes from your source. You can crop the input video to a size more to your liking, and you can apply an array of filters to the input video. The rest of this section shows describes these methods.
Helix Producer's cropping feature allows you to record any portion of a video image that you wish. When you crop video, you reduce the amount of data that needs to be encoded, while also removing unwanted image area.
Your input must contain video to use cropping, and the smallest size that you can crop an image to is 32 x 32.
| To crop an input video image: |
The Video Filters palette opens.
Yellow lines appear on the preview section of the Video Filters dialog.
| Note: The part of the video region that these yellow lines outline is the part of the video that will be encoded. |
The Black Level Correction filter is used to adjust the brightness of the input, effectively making black areas in the video appear "blacker." This filter is useful if the video appears washed out, without much saturation.
| To turn on the Black Level Correction filter: |
The Video Filters palette opens.
The Deinterlace filter removes "artifacts" that can be present when encoding digitized NTSC or PAL formatted video. These artifacts are horizontal lines seen surrounding a moving object.
Most movies are filmed at 24 frames per second (fps). When a film is converted into NTSC video at 30 fps, fields are alternately duplicated and shared. The film-to-video conversion process is called telecining. The Inverse Telecine filter removes redundant fields added during a telecine process, improving the quality of the frames that are encoded.
The Inverse Telecine filter is only used when encoding input video with a frame rate of 30 fps.
| To turn on the Deinterlace and Inverse Telecine filters: |
The Video Filters palette opens.
Video noise appears as static in your input video. This noise can appear in video for a variety of reasons: poor capture cards, cameras, or storage. The noise filter removes this noise from the input video prior to encoding.
It is recommended that you do not use the video noise filter unless your video has some distortion or static. Using this filter (especially the High setting) will degrade the quality of undistorted video.
| To adjust the Video Noise Reduction filter: |
The Video Filters palette opens.
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